The computer interface was created in After Effects, but Whittemore also created Motion Graphics templates (.mogrts) to edit some of the less complicated graphics directly in Premiere. Frischluft Lenscare was used to set and actively rack the focus of the graphics and monitor frame for every shot in the movie, depending upon the depth of each character in the room. ![]() These PIP windows “glitch” out throughout the film, so we built our own presets based on Red Giant’s glitch transitions to make these moments happen throughout the film quickly. Later in the process, we utilized Red Giant Universe’s VHS and Analog plugins extensively to create the analog look of the picture in picture windows. Even in early drafts, we were able to accomplish sophisticated looks for the computer interface entirely in Premiere, with simple tools like fast blur and blend modes. When we did, we used Dynamic Link from Premiere Pro to After Effects making it very simple. The complexity of the film made it crucial to execute as many effects as we could without leaving Premiere Pro. What Adobe tools did you use on this project and why did you originally choose them? Were there any other third-party tools that helped enhance your workflow? Elements such as each character’s “credits” counter were also animated this way. We would sometimes have the character misspell, backspace, and then finish typing correctly to add realism. Once a scene was locked, Whittemore exported it as a reference edit, brought it into a new After Effects file, and animated the computer interface using keyframes, including simulating realistic typing by the characters. Sometimes the performances of the actors in the PIP windows in those takes happened to be best, but most of the time, I’d find better individual performances in other takes, so we then decomposed all of the multi-camera clips to their component shots and replaced those PIP takes with others. I then used these multi-camera sequences to make the initial rough edit of each scene, and then we used transcription to help us segment every take so I could choose the best main window performance for each cut. We never experienced any performance issues in Premiere with these multi-camera sequences as we were editing on fast SSD drives. This meant we often were playing 9 layers of HD ProRes LT video simultaneously. Each nest included the main image for a character, as well as the smaller PIP windows that character would see. To solve this, assistant editor Christian Whittemore, created a multi-camera sequence for each shot that was composed of 3 nested layers. ![]() Neat Video does let you have at the custom controls, which is nice for pros, but probably unnecessary for beginners, and seems to be a little faster at processing your images. In the end, it looks like Neat Video and Denoiser II are both excellent at reducing noise, especially within the kinds of noisy situations you'll most find yourself in. ![]() However, if your budget is a little bit tighter, the plug-ins Ryan Connolly compares, Neat Video and Denoiser II, are still extremely adept at clearing up artifacts and are both about $100 (Neat Video offers a $50 option, but you'll be missing some Pro features and will only be able to process HDV 720p-size video). ![]() We've talked quite a bit about the Dark Energy plug-in, which, if you've got $200 to spend, is probably one of the more powerful denoisers out there at that price point. There are several noise reducers out there that clean up your image pretty damn well. This is why these denoisers can be so important to have in your editing toolbox. Now, of course you want to do everything you can to ensure that your footage is as crisp and clear as possible before you shoot - avoiding low light situations, choosing lower ISO settings when possible, using lenses with larger apertures, even keeping your camera within its optimal shooting temperature - but sometimes noise is unavoidable. Film Riot compares a couple of the most popular noise reduction tools, the Neat Video plug-in and Red Giant's Denoiser II, to find the pros and cons of each.
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